Traversing Tranquility and Triumph: A Weekend Adventure To Dhak Fort

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Embarking on a weekend escapade with friends, we set our sights on the quaint village of Jambhavali, nestled in the Mawal taluka of Pune district, Maharashtra. This serene hamlet, encompassing an area of 972 hectares, provided an idyllic commencement to our journey.


The journey from Pune to Kondeshwar Temple is a scenic drive of approximately 50 kilometers, taking around 1.5 to 2 hours, depending on traffic. Starting from Pune, head towards the Mumbai-Pune Expressway and exit at the Karjat or Vadgaon toll plaza. From there, follow the signage toward Badlapur or Jambhavali, and proceed along the well-marked roads. As you approach Kondeshwar, the final stretch involves navigating through narrow village roads flanked by lush greenery, which sets the tone for the serene experience awaiting at the temple. It is advisable to use GPS or ask locals for guidance, as mobile network coverage may vary in some stretches. The picturesque surroundings and tranquil countryside make the drive as enjoyable as the destination itself.

Upon arrival, we were greeted by the verdant expanse of the village cricket grounds. The lush green field, framed by the rustic charm of rural life, beckoned us for a spirited game of cricket. The camaraderie and friendly competition under the expansive sky invigorated our spirits, setting a jubilant tone for the adventures that lay ahead.

Jambhavali cricket ground

Our next destination was the venerable Kondeshwar Temple, a historic shrine dedicated to Lord Shiva. Situated approximately 2 kilometers from Jambhavali, the temple is renowned for its ancient architecture and tranquil ambiance. Surrounded by dense forests and cascading waterfalls during the monsoon season, the temple exudes a serene aura, offering a sanctuary for both devotees and nature enthusiasts.

Pic credits: Facebook

From Kondeshwar Temple, we embarked on the challenging trek to the Dhak Bahiri caves. This trek, acclaimed as one of the most arduous in the Sahyadri range, demands both physical endurance and mental fortitude. The trail meanders through dense jungles, steep ascents, and rocky terrains, culminating in a near-vertical climb of approximately 70 degrees to reach the caves. The final stretch, equipped with iron railings and ropes, tests the mettle of even seasoned trekkers.

Upon conquering the formidable path, we reached the Dhak Bahiri caves, which house a revered temple of Lord Bahiri (Bhairavnath). Perched at an elevation of about 2,700 feet, the caves offer panoramic vistas of the surrounding Sahyadri peaks, including glimpses of Rajmachi Fort, Visapur Fort, and Manikgad. The sense of accomplishment, coupled with the breathtaking scenery, rendered the arduous trek profoundly rewarding.

Our expedition culminated with a visit to the remnants of Dhak Fort, situated near the caves. The fort, though in ruins, stands as a testament to the region’s rich historical tapestry. Exploring the fortifications and ancient structures, we were transported back to an era of valor and grandeur, deepening our appreciation for the cultural heritage of Maharashtra.

As we retraced our steps back to Jambhavali, the weekend’s experiences left an indelible imprint on our hearts. The harmonious blend of natural splendor, historical intrigue, and the thrill of adventure fostered a renewed sense of camaraderie among us. This journey through the rustic landscapes and formidable terrains of Maharashtra not only tested our endurance but also enriched our souls, leaving us yearning for the next escapade.

View of Rajmachi
View of the mountain and valley from Dhak Trail

Below is the short instagram reel of this adventure:

Simplifying ‘Munjya: Tainu Khabar Nahi’ – From Song to Chord Progressions -A Guitarist’s Guide.

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Munjya is a compelling Hindi drama about love, loss, and redemption, with a soulful soundtrack that enhances its emotional depth. The standout song, “Tainu Khabar Nahi,” beautifully captures unspoken love and longing through its haunting melody and heartfelt lyrics. The delicate vocals and evocative music make it a memorable highlight of the film’s emotional journey.

If you hear and try to match the guitar chord progression it will come to A – D – F#m – Bm. A fairly standard progression often used in pop, rock, and folk music. It can be interpreted as a I-IV-vi-ii progression in the key of A major.

Chord Breakdown:

  • A major (I): Root chord (A, C#, E)
  • D major (IV): Subdominant chord (D, F#, A)
  • F# minor (vi): Minor chord based on the sixth scale degree (F#, A, C#)
  • B minor (ii): Minor chord based on the second scale degree (B, D, F#)

Now to polish and give it the same feel as in the original song we will transpose the chords. This will make it easy to play and sing along.

Revised Chord Progression Using Capo on Fret 2:

With this in mind, you can play the progression as:

  • G (which sounds like A major)
  • Cadd9 (which sounds like D major)
  • D (which sounds like E major)
  • Em7 (which sounds like F# minor)
  • Am (which sounds like B minor)

Now combine this will lyrics:

(G)
Maine chaaha tujhe
(Cadd9)
Meri khata nahi
(G)
Meri khata hai ke
(Cadd9)
Tujhe pata nahi (x2)

(G)
Tere naal tere naal
Preettaan (Cadd9) laiyyaan..

(G)
Tere naal tere naal
Preettaan (Cadd9) laiyyaan

(Cadd9)
Ve maahi tainu
Khabar nahi

(Cadd9)
Tere naal tere naal
Preettaan (Em7) laiyyaan

(Cadd9)
Ve maahi tainu
Khabar nahi

(Em7)
O Kinne saal intezaar mein
(Cadd9)
Bitaaiyaan

(Em7)
O Kinne saal intezaar mein
(Cadd9)
Bitaaiyaan

(Am)
Ve maahi tainu
(D)
Khabar nahi

(Cadd9)
Ve maahi tainu
Khabar nahi

(Em7)
Tere naal tere naal
Preettaan (Cadd9) laiyyaan

(D)
Ve maahi tainu
(G)
Khabar nahi

(G)
Maine chaaha tujhe
(Em)
Meri khata nahi
(Am)
Meri hai khata ke
(D)
Tujhe pata nahi

(G)
Maine chaaha tujhe
(Em)
Meri khata nahi
(Am)
Meri hai khata ke
(D)
Tujhe pata nahi

(G)
Pucchde ne mere
(Em)
Yaar purane

(G)
Ki ho (Cadd9) gaya
Ki ho gaya
(D)
Ki ho gaya

(G)
Tere nahi kyun
(Em)
Hosh thikaane

(G)
Ki ho (Cadd9) gaya
Ki ho gaya
Ki ho (D) gaya

(Cadd9)
Kamle nu (Am)
Tere (G) hor kise di
(D)
Lod te fikar

(Cadd9)
Nahi

Ve maahi tainu
(Cadd9)
Khabar (G) nahi

(G)
Maine chaaha tujhe
(Em)
Meri khata nahi
(Am)
Meri hai khata ke
(D)
Tujhe pata nahi

The final result should sound like this. (I don’t claim to be a singer 🙂 )

PS: For style and strumming refer the below video at time (0:28) the one called (Legendary)

Pal KK.. Cover By Anup J

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हम रहें या ना रहें कल
कल याद आएँगे ये पल
पल, ये हैं प्यार के पल
चल, आ मेरे संग चल

चल, सोचें क्या
छोटी सी है ज़िंदगी
कल मिल जाए
तो होगी ख़ुशनसीबी

हम रहें या ना रहें
याद आएँगे ये पल

हम रहें या ना रहें कल
कल याद आएँगे ये पल
पल, ये हैं प्यार के पल
चल, आ मेरे संग चल

चल, सोचें क्या
छोटी सी है ज़िंदगी
कल मिल जाए
तो होगी ख़ुशनसीबी

हम रहें या ना रहें
याद आएँगे ये पल

शाम का आँचल ओढ़ के आई
देखो वो रात सुहानी
आ, लिख दें हम दोनों मिल के
अपनी ये प्रेम कहानी

हम रहें या ना रहें
याद आएँगे ये पल

आने वाली सुबह जाने
रंग क्या लाए दीवानी
मेरी चाहत को रख लेना
जैसे कोई निशानी

हम रहें या ना रहें
याद आएँगे ये पल

हम रहें या ना रहें कल
कल याद आएँगे ये पल
पल, ये हैं प्यार के पल
चल, आ मेरे संग चल

चल, सोचें क्या
छोटी सी है ज़िंदगी
कल मिल जाए
तो होगी ख़ुशनसीबी

हम रहें या ना रहें
याद आएँगे ये पल
हम रहें या ना रहें
याद आएँगे ये पल

Ghar Se Nikalte Hi.. Cover by Anup J

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घर से निकलते ही, कुछ दूर चलते ही
रस्ते में है उसका घर
कल सुबह देखा तो बाल बनाती वो
खिड़की में आई नज़र

घर से निकलते ही, कुछ दूर चलते ही
रस्ते में है उसका घर
कल सुबह देखा तो बाल बनाती वो
खिड़की में आई नज़र
घर से निकलते ही…

मासूम चेहरा, नीची निगाहें
भोली सी लड़की, भोली अदाएँ
ना अप्सरा है, ना वो परी है
लेकिन ये उसकी जादूगरी है

दीवाना कर दे वो, इक रंग भर दे वो
शरमा के देखे जिधर
घर से निकलते ही, कुछ दूर चलते ही
रस्ते में है उसका घर

करता हूँ उसके घर के मैं फेरे
हँसने लगे हैं अब दोस्त मेरे
सच कह रहा हूँ, उसकी क़सम है
मैं फिर भी ख़ुश हूँ, बस एक ग़म है

जिसे प्यार करता हूँ, मैं जिस पे मरता हूँ
उसको नहीं है ख़बर
घर से निकलते ही, कुछ दूर चलते ही
रस्ते में है उसका घर

लड़की है जैसे कोई पहेली
कल जो मिली मुझको उसकी सहेली
मैंने कहा उसको जाके ये कहना
“अच्छा नहीं है यूँ दूर रहना”

कल शाम निकले वो घर से टहलने को
मिलना जो चाहे अगर

घर से निकलते ही, कुछ दूर चलते ही
रस्ते में है उसका घर
कल सुबह देखा तो बाल बनाती वो
खिड़की में आई नज़र

Hoshwalo Ko Khabar kya Cover by Anup J

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Cover for Hoshwalo ko khabar kya Gazal by Jagjit Singh

होशवालों को खबर क्या
बेखुदी क्या चीज़ है
इश्क कीजिये फिर समझिये
ज़िन्दगी क्या चीज़ है

उनसे नज़रें क्या मिलीं
रौशन फिज़ाएँ हो गयीं
आज जाना प्यार की
जादूगरी क्या चीज़ है
इश्क कीजिये फिर…

बिखरी जुल्फों ने सिखाई
मौसमों को शायरी
झुकती आँखों ने बताया
मैकशी क्या चीज़ है
इश्क कीजिये फिर…

हम लबों से कह ना पाए
उनसे हाल-ए-दिल कभी
और वो समझे नहीं
ये ख़ामोशी क्या चीज़ है
इश्क कीजिये फिर…